Open House by Elizabeth Berg

Description

In this superb novel by the beloved author of Talk Before Sleep, The Pull of the Moon, and Until the Real Thing Comes Along, a woman re-creates her life after divorce by opening up her house and her heart.

Samantha's husband has left her, and after a spree of overcharging at Tiffany's, she settles down to reconstruct a life for herself and her eleven-year-old son. Her eccentric mother tries to help by fixing her up with dates, but a more pressing problem is money. To meet her mortgage payments, Sam decides to take in boarders. The first is an older woman who offers sage advice and sorely needed comfort; the second, a maladjusted student, is not quite so helpful. A new friend, King, an untraditional man, suggests that Samantha get out, get going, get work. But her real work is this: In order to emerge from grief and the past, she has to learn how to make her own happiness. In order to really see people, she has to look within her heart. And in order to know who she is, she has to remember—and reclaim—the person she used to be, long before she became someone else in an effort to save her marriage.

Open House is a love story about what can blossom between a man and a woman, and within a woman herself.

Editorial Review

Oprah Book Club® Selection, August 2000: The narrator of Elizabeth Berg's Open House calls divorce “a series of internal earthquakes … one after the other.” She ought to know. Samantha is abandoned by her husband in the opening pages of this three-handkerchief special, and the resultant tremors keep her off-balance for most of the novel. There are practical problems aplenty, of course, including a shortage of money and an 11-year-old son to raise. But Sam's sense of emotional bereavement is far worse, despite the fact that her husband had been giving her the conjugal cold shoulder for years:

I miss David so much, yes I do, I miss the presence of another person in my bed at night, even if he doesn't touch me; the reliability of someone else being there in the morning, even if they only shave and stare straight ahead into the mirror while you lean against the bathroom doorjamb with your cup of coffee, chatting hopefully.

The loneliness in her “as constant and as irrefutable” as circulating blood, Sam begins to rebuild her life. She finds herself a job and takes in a couple of boarders to help meet her mortgage payments. (One of them, a depressed student named Lavender Blue, informs her that “life was nothing but one major disappointment after the other”–the sort of homily that Sam is understandably reluctant to hear these days.) She also starts dating, with disastrous results. Yet this comically kvetching heroine does manage to find love in the ruins, and by the time Open House winds down, it's hard not to believe that she's much better off. Throughout, Berg alternates her snappy and sappy registers like a real pro. And the conclusion, which most readers will be able to spot a mile off, seems just right–the light at the end of the post-matrimonial tunnel. –Anita Urquhart